Leon The Professional Extended (1994) 720p YIFY Movie

Leon The Professional Extended (1994)

A professional assassin rescues a teenage girl whose parents were killed in a police raid.

IMDB: 8.6138 Likes

  • Genre: Crime | Drama
  • Quality: 720p
  • Size: 856.89M
  • Resolution: 1280*544 / 24fps
  • Language: English
  • Run Time: 132
  • IMDB Rating: 8.6/10 
  • MPR: R
  • Peers/Seeds: 29 / 241

The Synopsis for Leon The Professional Extended (1994) 720p

Mathilda, a twelve-year old New York girl, is living an undesirable life among her half-family. Her father stores drugs for two-faced cop Norman Stansfield. Only her little brother keeps Mathilda from breaking apart. One day, Stansfield and his team take cruel revenge on her father for stretching the drugs a little, thus killing the whole family. Only Mathilda, who was out shopping, survives by finding shelter in Léon's apartment in the moment of highest need. Soon, she finds out about the strange neighbour's unusual profession - killing - and desperately seeks his help in taking revenge for her little brother. Léon, who is completely unexperienced in fatherly tasks, and in friendships, does his best to keep Mathilda out of trouble - unsuccessfully. Now, the conflict between a killer, who slowly discovers his abilities to live, to feel, to love and a corrupt police officer...


The Director and Players for Leon The Professional Extended (1994) 720p

[Director]Luc Besson
[Role:Tony]Danny Aiello
[Role:Mathilda]Natalie Portman
[Role:Leon]Jean Reno
[Role:Stansfield]Gary Oldman


The Reviews for Leon The Professional Extended (1994) 720p


Where are the accolades?Reviewed byjcapelliVote: 10/10

This movie is rated 63 on the imdb top 250 movie list, showing that people obviously like this movie, and with good reason. But why the hell didn;t this movie garner at least one single oscar or golden globe nomination??

natalie portman's performance was terrific as the emotionally ravaged matildha - best actress nomination for sure.

jean reno should have been nominated for a best actor nomination. the fact that the audience is led to feel sympathy and sorrow for a hitman speaks words enough about his performance.

gary oldman is fantastic as the corrupt and psychotic cop. his character is so repulsive and chilling, but at the same time so quirky and interesting to watch. best supporting actor nomination.

luc besson. when this man will get some kudos for his work i never know. the professional, in my opinion, is his greatest achievement as a director and, considering the fact he has helmed classic cult films such as nikita and the fifth element, the professional must rate highly as one of the best films of the 90's atleast! best film and best director nominations should have been given.

but no, it was all too easy to heap praise on the feel good movie forrest gump, and shun the movie that, through its intensity and tragedy, better highlights the value of life and love.

Masterpiece of violent Characterisations and fast action-shootingReviewed bypsikoVote: 10/10

An interview with Anne Parillaud, in the Evening Standard, 24.8.90, it was said that the message of Nikita is not one of violence but the idea is that people who are full of despair and missing love are not alone.

This idea continues in Léon. Léon was Besson's first foray into international film production. The similarities, or parallels, between Nikita and Léon are undoubted. Both the central protagonists attempt to come to terms with their dysfunctionality, to society, against a background of violence, which they both continue to act upon as the agent of someone else. There is no clean difference (we may also include Le Dernier Combat for comparison.) The only difference is gender.

I always found that until obtaining the "Version Integral" there was a character hole in the plot. The original cut released for US audiences was felt, by Besson, had an "offending" scene cut which ruined later scenes. The American test audiences hated it, seeing it as perverse and paedophiliac. The film was still panned by US critics as quasi-child pornography on general release. What it to be understood about this film, and this is what infuriated Besson, is that the film is about pure love. Not sex, which is all the Americans, could see.

And so we have ascertained that the characters in Besson's films are, simply, great. Then there is the action which is all the grace and style of Nikita. Typical of Besson's style with fast action-shooting and violent characterisation. This has to be one of Jean Reno's and by far Natalie Portman's best screen performance. To me, Gary Oldman plays his part to the tee, said by some magazines to be the best screen bad guy - it is one of his best performances.

Stylisation and excess are hallmarks of Besson's work. Characters are larger than life. Décors are in excess of realism. Besson's characters lack psychological depth. "The sumptuous and the ornate cohabit with the violent or the vulgar." Besson's use of excess is also extremely playful mixing violence with humour. Besson's work appeals to the tastes of popular culture and may not please that of the elite - arguably a reason for the rejection of his work by many intellectual film journals.

I have yet to hear of a person putting a bad word against this film. There is nothing I can personally fault so I give this film 10/10, a score only two other somewhat different films hold in my IMDb list of 345 films - "The Wizard of Oz" and "La Cité des Enfants perdu". If you like French Cinema or consider yourself a cinephile you must see the latter.

A Brilliant ConflictReviewed bySickfrogVote: 10/10

This film, better known in the U.S. as "The Professional", is a wonderful and intense film. Jean Reno plays his role as a "cleaner" with incredible subtlety. Leon tries to keep his emotions completely suppressed, yet Matilda (in an extraordinary performance by a young Natalie Portman, who is destined to become a very powerful actress into her adult life) bring out in him a new-found joy for life that accompanies his growing paternal instincts. But, the most dynamic element of this film is undeniably Gary Oldman's performance as a wildly sadistic and crooked DEA agent with his own narcotic-induced demons. His obsessions eventually lead him to the brink of absolute madness in his hunt for the cleaner. Truly, this is Oldman's finest performance to date, worthy of Oscar glory, though sadly forgotten. And so, Luc Besson did indeed top his triumph of "La Femme Nikita" by far with this masterpiece. Though, I cannot exactly praise his most recent effort with the sci-fi misfire, "The Fifth Element."

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